BOLD CITIZENS | SAULIUS BERŽINIS | SHEDUVA | FILM
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THE INTRICATE SAGA IN THE BACKGROUND
UPDATE OF JULY 2023: NOREIKA PLAQUE COMES DOWN FOR NATO CONFERENCE. FOR HOW LONG?
UPDATE OF JULY 2022: Foti’s The Nazi’s Granddaughter is reissued with the new title Storm in the Land of Rain
Sylvia Foti’s major new book is widely available in English and Lithuanian, among other languages. QUESTION: Why is the center of Vilnius still blighted by an upgraded plaque & bas-relief (right) and a central boulevard marble slab glorifying Hitler collaborator Jonas Noreika, who masterminded the death of thousands of Jews, and touted his unadulterated hate for Jewish fellow citizens in a prewar book? Why do Western diplomats, and most visiting American, British and Israeli Jewish dignitaries feel obliged to avoid even the most polite critique of these prominent carbuncles on the face of the European Union? Surely, a true friend of Lithuania would want the best for Lithuania and its international stature, even if a small far-right “history rewriting elite” might feel offended.
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VILNIUS—Kopa Studio II in Vilnius, the continuation of the fabled Kopa Studio that for thirty years has provided the gold standard in historical truth on the Holocaust in Lithuania (and has had to be reconstituted after a campaign of embittered legal action from some “powerful forces”), released the following statement today:
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Dear Friends, Dear Enemies!
Today, 16 June 2023 at 12 noon Vilnius time, we have posted on Vimeo, until 22 June, an informal, non-commercial private share of the first version of Petrified Time, the documentary film on Sheduva (Šeduva) we were privileged to have worked on for years in partnership with the partnering museum.
For the link please apply to Kopa Studio II (at: berkopa@hotmail.com) or to Defending History (at: info@defendinghistory.com), or to Saulius Beržinis or Dovid Katz on their Facebook pages (via Messenger only, please). As ever, we will be grateful for your feedback on the first version of the film.
Saulius Beržinis, Sigitas Siudika
Kopa Studio II
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Model of 19th century Vilna: Russian citadel — there. Old Jewish cemetery — not there. Just empty moonscape.
VILNIUS—Last month, the major Baltic news service BNS reported that a dynamic new outdoor exhibition, called “Pavilion: Vilnius 200 Years Ago” would open at the National Museum of Lithuania. Indeed, a handsome new webpage on the museum’s website gives more detail.
A model (“maquette”) of the city two hundred years ago is now to be enjoyed at the foot of Gediminas’s Hill, in the square right in front of the museum. The scale model is based on Imperial Russia’s 1830s plans for the development of the city after the suppression of the 1830 uprising, known as the November Uprising.
But instead of the half-millennium old Old Vilna Jewish Cemetery (at Piramónt, in the district right across the river called Šnipiškės, Yiddish Shnípeshok), on the right bank of the Neris River (the Viliya), in front of Gediminas’s castle mount, there is a disproportionately large citadel. The huge cemetery and its numerous mini-housletsare not marked at all. The citadel of the imperial Russian army is the largest and perhaps the most prominent object in the entire layout.
[UPDATED 29 MAY]
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VILNIUS—The French bookstore located in the building housing the Institut français / French Cultural Center, all part of the French Embassy compound here in Lithuania’s capital, has for many years been featuring smack in the middle of its prominent show window at Didžioji St. No. 1 in Vilnius Old Town, in the row of books closest to the viewer outside, books in English or Lithuanian (nothing to do with France or French) that are dedicated to glorifying Holocaust collaborators who supported and enabled the genocide of 96.4% of Lithuanian Jewry.
Jump to author’s memoir
Whenever, over the years, this issue has been brought up to French Embassy diplomats, French Institute leadership, the answer has been the same, along the lines of “It is not our bookshop, it is a private French-themed bookshop that simply rents the space from us. We are not responsible. The French Embassy is not responsible, the French Institute is not responsible, the French Ministry for Europe and Foreign Affairs is not responsible.” Nevertheless, we would like to pay tribute to French diplomats who did make an effort over the years. On 7 May 2020, for example, the then ambassador, HE Claire Lignières-Counathe took action. She reported back: “The French book shop on Didžioji gatvė is not part of the French Institute. But we pointed out to the owner that to present this book in the shop window could hurt people. He agreed and removed the book from the shop window.”
One week later, the book was back. And that goes to the heart of how a far-right, Holocaust-revisionist, Hitler collaborator glorifying (hence ipso facto antisemitic) enterprise has been, as one midlevel French diplomat put it to us off the record, “making a monkey out of our embassy in the third decade of the twenty-first century.”
In the city’s everyday life, and all the more so for thousands of tourists from around the world, the details of ownership are unknown and of little interest. It is the universal public perception that comes into play when a French themed bookshop is housed in the building of the French Embassy compound in Vilnius, just to the right of the French Institute’s handsome blue sign.
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VILNIUS—The lovely idea to name a square in modern Vilnius for the State of Israel is a fine gesture of friendship between the two countries and their foreign ministries. Today’s LRT report informs readers that Israel Square will adorn the neighborhood known as Naujamiestis (the New Town, or the New City).
There is a problem.
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JUMP TO TRANSLATION & SCREEN SHOT
VILNIUS—Instead of apologizing after unusually rapid responses by both the official Lithuanian Jewish Community and the Israeli Embassy in Vilnius, Lithuanian Parliament (Seimas) member Remigijus Žemaitaitis issued the following statement on Facebook on 8 May (English translation followed by screen shot of original from Facebook, taken 9 May at 14:30 from the 8 May FB post).
11 May update: Have any Lithuanian leaders, Western leaders, international Jewish organizations and human rights advocates, antisemitism watchdogs etc. yet publicly called for the immediate resignation of a parliamentarian in an EU/NATO national parliament whose published post (not “locker room talk”) revives local Hitler-era anti-Jewish hate speech equating Jews with Communism and Russian domination? “Wasting digital ink replying to the hater’s ‘arguments’ at Twitter and Bacebook is just not the same as a public statement calling for the hatemonger’s immediate resignation — as would be the case in any Western country. Lithuanian citizens deserve the same standard.”
12 May: Prime Minister Ingrida Sionyte boldly calls for impeachment inquiry. Can this rapidly be sharpened to a call for immediate resignation as in any other Western country?
As Defending History readers know from our antisemitism section, this is not the first time Middle Eastern and Israeli-Palestinian issues have been used by local bigots to smear Lithuania’s 700 year old Jewish community, of which over 96% were murdered in the Holocaust. But it is perhaps novel that the “triple whammy” of (1) antisemitism plus Middle Eastern issues have been added to (2) the Red Libel, the association made by Eastern European antisemitism, that the Jews in general were, are, and will always be associated above all with Communism; (3), a third implied pillar: the charge of disloyalty of the nation’s Jewish citizens (before the Holocaust a minority, now a tiny remnant under three thousand persons nationally).
VILNIUS—The office of the Lithuanian prime minister today released the list of members of its new commission (The Working Group) to advise on the future of the Old Vilna Jewish Cemetery. Lithuanian Prime Minister Ingrida Šimonytė was highly praised by Defending History for her bold and historic August 2021 cancellation of the “convention center in the Jewish cemetery” project that had been causing Lithuania’s stature so much unnecessary damage (see Šimonytė section). It had been supported by corrupt politicians, money-hungry builders and contractors, a corrupt group of London “grave sellers” (the CPJCE), and an array of “Useful Jewish Idiots” who have repeatedly betrayed the living remnants of Lithuanian Jewry over decades, via what some describe as an acquired addiction to honors, photo-ops, grants, junkets, medals, translations of their writings, and assorted other catnip products. One of them was even a JTS-based veteran of a 2007-2008 commission who helped provide “American Jewish cover” for the “two green buildings” (combined residence and business) on the cemetery site that are surrounded by graves on all four sides to this day (more exactly: he was brought in after construction of the first to help smooth the way for the second; he did utter some general sentiments of protest in a New York Yiddish newspaper but refused the editor’s permission for his piece to appear in the paper’s English supplement “because I’m going to be there soon in an important government group”).
Missing from the commission (the PM’s advisors really missed an opportunity here) are the three Lithuanian-citizen, Lithuania-resident heroes of the story who steadfast work over years saved their country from the future humiliation of an American president refusing to set foot in a “convention center in the Jewish cemetery” — Ruta Bloshtein (author of the international petition), Dr. Andrius Kulikauskas, and Julius Norwilla.
In 2020, Lithuania’s Prime Minister Ingrida Šimonytė struck funding and thereby ended plans to convert the Vilnius Sports and Concert Palace into a congress center. The Soviets had desecrated the heart of Vilnius’s oldest Jewish cemetery at Piramónt (Šnipiškės) by constructing and utilizing this building there. 53,000 people signed Ruta Bloshtein’s petition asking Lithuania’s leaders not to desecrate it further. Many people from around the world wrote letters which convinced the Prime Minister to strike funding.

What is there now and what could be restored: Clockwise from top left: The Soviet eyesore today; three details from paintings by Alfred Holler (1888–1954) at the current exhibit ‘Outsiders Look at Vilnius’ at the National Art Gallery in Vilnius. Photos: Andrius Kulikauskas.
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SYDNEY, AUSTRALIA—More than 100 people attended the Wollongong Art Gallery to hear Professor Konrad Kwiet, resident historian at the Sydney Jewish Museum, deliver a public lecture on the Holocaust in Lithuania and the wartime role of Bronius ‘Bob’ Sredersas.
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The best way to reach the mass killing site in Garliava (Yiddish Gúdleve, Polish Godlewo), is to take a train from the central train station in Kaunas. It is just one stop. The railway runs south, through a picturesque valley of the languid river Jiesia. Garliava is a township historically in the Suwałki region. It is named after an ancient landlord and noble family Godlewski. It seems that twentieth century ethnic purity zealots renamed the township into Garliava to sever any obvious link to the personage commemorated by the town’s naming, thereby reducing the historical chronicle of the entire region to a narrow and assertively ethnonationalist narrative
When you step out of the old railway station in Garliava, the town itself is still one kilometer away. The train line and the station were built in 1862, and one can wonder, what the point was, with the then cutting-edge train technology of the time, to make a long detour around the town and build the station somewhere in the middle of the fields, or as one might put it, right in the middle of nowhere?
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VILNIUS—This commemorative envelope was purchased this morning, on Easter Sunday, on Pilies gatve, Vilnius’s historic Castle Street that has become the city’s center for souvenir stalls and shops. It is an older antisemitic envelope design seen many times before, picturing the Jews of Kaunas allegedly welcoming the Soviet army into town during World War II (i.e. blaming the Jews for the 1940 Soviet occupation as excuse for the genocide — the Lithuanian Holocaust — that followed a year later, wiping out some 96.4% of Lithuanian Jewry, with thousands murdered in late June 1941 before the Germans even took over).

The caption “explains” (in Lithuanian) that “on June 15, 1940, numerous crowds of Kaunas Jews welcome the occupying Red Army (archive photo)”. No mention of the vastly larger numbers of Lithuanians, Poles and Russians who turned out. No mention that this canard continues to be used to “explain” the Lithuanian Holocaust. No mention of the failure of the nation’s army to defend the country or the president’s fleeing the country. But plenty of room to link (in English) the antisemitic canard to the current 700 year Vilnius anniversary festivities. Are Western tourists presumed to be idiots?
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in memory of
Roza Bieliauskienė (1946-2023)
She died faster than a match burns out. Dumbfounded, we are trying to understand her place in our lives, and in Jewish culture, to which she devoted so much energy. The Jewish Museum in Lithuania has a long-suffering history. It burned, and was plundered, and ceased to exist, opened and closed many times… There were always experienced workers, Torah connoisseurs who knew Hebrew and, of course, Yiddish.
And suddenly, after World War II, only a few of these specialists remained alive. And in 1949 the museum, where writers, journalists and other cultural figures had already settled, the Soviet authorities again closed the museum and dispersed its collections, all that had miraculously survived during the war years, distributing it to various museums in Lithuania. Jewish culture was rapidly destroyed. Yiddish writers either went to camps, like all “rootless cosmopolitans,” or mastered some applied professions, while others began to write in Lithuanian. In a rare Jewish family did they continue to speak máme-loshn (Yiddish). Parents among themselves — yes, but with children in Russian or in Lithuanian.
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Genuine heroes of this saga—both written out of the film◊
VILNIUS—Michael Kretzmer’s new documentary J’Accuse! provides a terrific extended interview with legendary truth-teller Silvia Foti. The film’s narration provides effective statements on ongoing East European state adulation of Nazi collaborators though focused on just one, Jonas Noreika of Lithuanian Holocaust infamy (who was the Chicago-born Foti’s grandfather).
The war in Ukraine has truly shaken everyday life in Lithuania. It has, among other things, pushed human rights issues to the background, or reframed them in a strictly military or geopolitical east-west perspective. When information about civilian women being massively and brutally raped by the occupying army reached our shores, a protest was organized at the Russian Embassy in Vilnius. The protest was very similar to the one in Estonia, where Estonian women similarly protested at the Russian Embassy in Tallinn, expressing their solidarity with Ukrainian women by placards depicting victims of sexual violence. They stood by the embassy with horribly blood painted groins and bags on their head. Lithuanian protestors echoed the image. Protesters in Lithuania also brought children’s toys and strollers with them to direct attention to the tragedies of women who got pregnant after being raped. The image was reinforced by “the red pond” because, before the protest, the performance “Swimming Through” took place, during which the famous Lithuanian swimmer Rūta Meilutytė swam across the pond near the Russian Embassy, the water of which had been colored with red dye, to remind the diplomats of the ongoing massacres and atrocities and mass murder in Ukraine.
Lithuanian women activists started organizing various forms of aid to Ukrainian women, from raising funds for mobile gynecological clinics to supplying Ukrainians with hygiene products and pregnancy terminating medication.
We are accustomed to the frequent excellence of BBC broadcasts, documentaries, and investigative reports. On January 23, 2023, with its documentary How the Holocaust Began featuring historian James Bulgin, BBC 2 struck a welcoming chord, demonstrating powerfully and convincingly that the Holocaust ― in the sense of the genocide per se, unleashed upon Operation Barbarossa in June 1941 ― started in the Baltic States of Lithuania and Latvia.
Through the works of Michaël Prazan (Einsatzgruppen as a book and TV documentary in French), Efraim Zuroff’s untiring crusade against the states in Eastern Europe that still cover up their complicity in the murder of millions of Jews during World War II (see his renowned book Operation Last Chance and the site of the same name at the Wiesenthal Center in Jerusalem), through the vigorous and constant series of articles on in the web journal Defending History (see also the documentary Rewriting History by Danny Ben Moshe), we, the attentive and honest readers know what the reality of the Holocaust had been in the Baltic States when Jews were hunted as animals, slaughtered as animals by the German forces, and in many cases before they even arrived, also by the local populations “activists.”. We are cognoscenti but it is reassuring to see that the BBC broadcasts an image of far-reaching collaboration by the local populations in the Baltic States with the focus primarily on Lithuania.