OPINION | POLITICS OF MEMORY | BELGIUM | LITHUANIA
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by Roland Binet (De Panne, Belgium)
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In chapter five of his major book on the Holocaust in Lithuania published last year, Professor Saulius Sužiedėlis discusses theatrical productions that Jakob Gens had proposed to introduce into the Vilna Ghetto at the end of 1941. Here are some quotes: “Kruk reacted with disgust (…) Members of the Bund announced a boycott and leaflets were distributed stating “You don’t make theater in a graveyard”.
I do not share the opinion that theatre should not have been played in the ghettos. On the contrary, to me, the sometimes vivid cultural life in the ghettos under Nazi and collaborators’ rule, in all its hues and colors, had undoubtedly been a bonding link, a source of some kind of normalcy and hope for the persecuted Jews, and a necessary psychological rampart against fear, boredom, stress, anguish, that all inhabitants of these hells on earth had to go through during days, weeks, months, sometimes years, perpetually living in the mortal fear for one’s life perhaps extinguished from one moment to the next or after a lengthy walk to a killing pit, naked, alone, forlorn.
