Arts

A Different Kind of Holocaust Artist: Auschwitz Survivor David Olère’s Unedited and Unabastracted Realism



OPINION  |  ARTS  |  BOOKS  | HISTORY  |  POLITICS OF MEMORY

by Roland Binet (De Panne, Belgium)

I want to share with our readers a remarkable book with reproductions of paintings and drawings by and about David Olère who had been a member of a Sonderkommando in Auschwitz-Birkenau. But after the war he felt his mission was to bear witness to the truth, including the horrendous scenes he had seen and himself been part of: Vergessen oder Vergeben – Bilder aus der Todeszone by Alexandre Oler and David Olère [= David Oler]; zu Klampen! (Verlag- Springe/Deutschland; originally published in French in 1998 by his son Alexandre Oler: Un genocide en heritage.

Despite the millions of Jews killed by bullets or who died of beatings, pogroms, hunger or ill treatment in Poland and in the Republics of the USSR, the iconic symbols of Nazi evil remain, for a large segment of the world population, the gas chambers and crematories of Auschwitz-Birkenau and the five other extermination camps in Poland. Historians have stressed the fact that the Nazi killers and their helpers sometimes found those mass slaughters by bullets or asphyxiation inside trucks where monoxide of carbon had been injected to be too tedious and harsh to bear for the executioners. So, Nazi Germany switched to mass killings in gas chambers with Zyklon B and – concerned about leaving traces – devised the crematories. Searching for the roots of this industrialization process, Simon Wiesenthal had already come to that conclusion very early (as quoted by Guido Knopp in Die SS – Eine Warnung der Geschichte).

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B’nai B’rith Australia & New Zealand Issues Press Release on Saulius Beržinis Award



FILM | SAULIUS BERŽINIS | SHEDUVA  | BOLD CITIZENS

VILNIUS—B’nai B’rith Australia & New Zealand today issued the following press release accompanying its lifetime achievement award earlier this month to Lithuanian filmmaker Saulius Beržinis (see also DH’s report on the dramatic saga in the background).

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Posted in Arts, Australia, Bold Citizens Speak Out, Film, History, Lithuania, Litvak Affairs, News & Views, Politics of Memory, Saulius Beržinis, Šeduva (Sheduva, Shádeve, Shádov) and its Free-of-Jewish-Staff "Museum of the Lost Shtetl" | Tagged , , , | Comments Off on B’nai B’rith Australia & New Zealand Issues Press Release on Saulius Beržinis Award

B’nai B’rith Australia & New Zealand Honors Filmmaker Saulius Beržinis, Bold Fighter for Historic Truth



BOLD CITIZENS | SAULIUS BERŽINIS | SHEDUVAFILM

THE INTRICATE SAGA IN THE BACKGROUND


 

Posted in Arts, Australia, Bold Citizens Speak Out, Film, Lithuania, Litvak Affairs, News & Views, Politics of Memory, Saulius Beržinis | Tagged , , , , , , , | Comments Off on B’nai B’rith Australia & New Zealand Honors Filmmaker Saulius Beržinis, Bold Fighter for Historic Truth

Kopa Studio II Issues Statement on Temporary Link for Free Online Viewing of Film on Sheduva Holocaust



FILM | SAULIUS BERŽINIS | LITHUANIA | LITVAK AFFAIRSFREE SPEECH | MUSEUMS | SHEDUVA

VILNIUS—Kopa Studio II in Vilnius, the continuation of the fabled Kopa Studio that for thirty years has provided the gold standard in historical truth on the Holocaust in Lithuania (and has had to be reconstituted after a campaign of embittered legal action from some “powerful forces”), released the following statement today:

*
Dear Friends, Dear Enemies!

Today, 16 June 2023 at 12 noon Vilnius time, we have posted on Vimeo, until 22 June, an informal, non-commercial private share of the first version of Petrified Time, the documentary film on Sheduva (Šeduva) we were privileged to have worked on for years in partnership with the partnering museum.

For the link please apply to Kopa Studio II (at: berkopa@hotmail.com) or to Defending History (at: info@defendinghistory.com), or to Saulius Beržinis or Dovid Katz on their Facebook pages (via Messenger only, please). As ever, we will be grateful for your feedback on the first version of the film.

Saulius Beržinis, Sigitas Siudika
Kopa Studio II


 

 

 

Posted in Arts, Film, Free Speech & Democracy, Lithuania, Litvak Affairs, Museums, News & Views, Saulius Beržinis, Šeduva (Sheduva, Shádeve, Shádov) and its Free-of-Jewish-Staff "Museum of the Lost Shtetl" | Comments Off on Kopa Studio II Issues Statement on Temporary Link for Free Online Viewing of Film on Sheduva Holocaust

Blaming Inna Hecker Grade for Bashevis Singer’s Greater Success in English



OPINION  |  YIDDISH AFFAIRS LITVAK AFFAIRS  |  MEDIA WATCH

NOTE: As someone fortunate enough to have had some NYT letters published over the decades, I fully anticipated the non-publication of this one (9 March), and hope none will take amiss my publication of it here in the interests of putting out there a (not yet offered?) second opinion on a woman against whom I feel there has been some unwarranted invective. —DK

Re “In the Papers of Yiddish Novelist Chaim Grade, Clues to His Lesser Fame” by Joseph Berger (March 6)

To the Editor:

The magnificent Yiddish author Chaim Grade well equals Isaac Bashevis Singer in talent and output, but it is wrong to blame his wife (or their marriage) for the failure of his work to attain equal status in English translation.

Grade’s profound preservation of the intricacies of pre-Holocaust East European Jewish civilization (with vast religious minutiae delightful to folks in the tribe) is just not in the genre of Singer’s stark, universalist, compelling plots that are moreover enriched by untrammelled sexuality and bespoke kabbalah.

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Roland Binet’s Musical and Video Creations: A Journey of Truth and Education on the Holocaust in Latvia



MUSIC | ARTS | ROLAND BINET | BELGIUM | LATVIA  |  COLLABORATORS GLORIFIED

Editor’s note: At our request, Defending History’s longstanding correspondent Roland Binet compiled this provisional list of his musical and video creations over the years relevant to issues covered by DH. Although Roland Binet has contributed to DH since 2010 there is an aspect of his work perhaps unknown to our readers. He has been a creative musician for more than fifty years playing mostly the flute and  has composed more than a hundred  pieces of original music. His music is based on modal, pentatonic, Chinese or Japanese scales as well as aleatory contemporary improvisations with periodic jazz influences. He has made his jazz multi-instrumentalist Eric Dolphy’s quote on his last album “When you hear music and it is over, you can never capture it again”. But, of course, thanks to the numerous recordings he made, these aleatory instants can be heard on purely musical sites such as Reverbnation or Bandcamp. After his initial visit to Riga in 2009 and the shock he felt when he looked for the first time at pictures of the Liepaja massacre at the Riga Jewish Museum he took to studying the history of the Holocaust in the Baltic States. From there  it was only a small step to play and compose music in honor of the hundreds of thousands of Jews who had paid with their lives and belongings  for the crime of being Jewish  in countries that chose to collaborate enthusiastically with the Nazi killers.

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We Knew Roza



OBITUARIES  |  LITVAK NEWS  |  ROZA BIELIAUSKIENĖ

by Dalia Epstein (Dalija Epšteinaitė)

in memory of

Roza Bieliauskienė (1946-2023)

She died faster than a match burns out. Dumbfounded, we are trying to understand her place in our lives, and in Jewish culture, to which she devoted so much energy. The Jewish Museum in Lithuania has a long-suffering history. It burned, and was plundered, and ceased to exist, opened and closed many times… There were always experienced workers, Torah connoisseurs who knew Hebrew and, of course, Yiddish.

And suddenly, after World War II, only a few of these specialists remained alive. And in 1949 the museum, where writers, journalists and other cultural figures had already settled, the Soviet authorities again closed the museum and dispersed its collections, all that had miraculously survived during the war years, distributing it to various museums in Lithuania. Jewish culture was rapidly destroyed. Yiddish writers either went to camps, like all “rootless cosmopolitans,” or mastered some applied professions, while others began to write in Lithuanian. In a rare Jewish family did they continue to speak máme-loshn (Yiddish). Parents among themselves — yes, but with children in Russian or in Lithuanian.

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Review of Michael Kretzmer’s Documentary Film “J’Accuse”



OPINION | FILM | ARTS | MEDIA | COLLABORATOR GLORIFICATION | J. NOREIKA

by Dovid Katz

Genuine heroes of this saga—both written out of the film

  • At left: Evaldas Balčiūnas (who first called his nation’s attention (in Lithuanian) and the world’s (in English) to state-sponsored adulation of Lithuanian Holocaust perpetrator J. Noreika. That was a year after his classic essay “Why does the state commemorate murderers?” appeared in Defending History in 2011. Here pictured at Vilnius County Court after one of the hearings in the litany of kangaroo cases against him (Defending History was there at each hearing to support him). He is DH’s 2023 Person of the Year.
  • At right: Dr. Andrius Kulikauskas brought his self-crafted poster to a nationalist event on independence day in central Vilnius, with an image to show his people the kind of national hero Lithuania should be celebrating: the inspirational Holocaust-era rescuer Malvina Šokelytė Valeikienė (DH’s person of the year in 2018). The gentle, teetotaling mathematician and philosopher took this sign right into the heart of an alcohol-fueled ultranationalist demonstration, leaving observers of every persuasion in awe of his courage. Dr. Kulikauskas boldly led the effort to expose Noreika in Lithuania and is the de facto author of the primary documents underpinning the legal petitions to the state’s Genocide Center and its courts. A Lithuanian American born and raised in California, he and his family migrated to newly free Lithuania decades ago.
  • See DH’s Evaldas Balčiūnas and Andrius Kulikauskas sections. A future film maker might even find an enchanting angle in the stark differences between the two Lithuanian heroes of this story. One is a devout Catholic, the other an atheist. One is an anarchist, the other a nationalist. One an urban family guy, the other a lone thinker and dreamer in a faraway wooden hut in the depths of the Lithuanian countryside.

VILNIUS—Michael Kretzmer’s new documentary J’Accuse! provides a terrific extended interview with legendary truth-teller Silvia Foti. The film’s narration provides effective statements on ongoing East European state adulation of Nazi collaborators though focused on just one, Jonas Noreika of Lithuanian Holocaust infamy (who was the Chicago-born Foti’s grandfather).

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Posted in Arts, Bold Citizens Speak Out, Collaborators Glorified, Dovid Katz, Film, History, Lithuania, Litvak Affairs, Media Watch, Michael Kretzmer's Documentary Film "J'Accuse!" on the Lithuanian Holocaust, News & Views, Opinion, Politics of Memory, State Glorification of Holocaust Collaborator J. Noreika | Tagged , , , , , , , , , , , , , , , , , , , , , | Comments Off on Review of Michael Kretzmer’s Documentary Film “J’Accuse”

Film, Video, Radio, Music


[LATEST UPDATE. PAGE PUBLISHED 18 DEC. 2013]

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DIRECTED BY MARC RADOMSKY. PRODUCED BY DANNY BEN-MOSHE

See also DH sections on: ARTS, BOOKSFILM, MUSIC

Films and Videos on Defending History topics:

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BBC’s New Documentary Helps Viewers Come to Grips with the Start of the Holocaust’s Genocidal Phase



OPINION  |  ARTS  |  FILM  |  MEDIA WATCH  |  GLORIFICATION OF COLLABORATORS

by Roland Binet (De Panne, Belgium)

We are accustomed to the frequent excellence of BBC broadcasts, documentaries, and investigative reports. On January 23, 2023, with its documentary How the Holocaust Began featuring historian James Bulgin, BBC 2 struck a welcoming chord, demonstrating powerfully and convincingly that the Holocaust ― in the sense of the genocide per se, unleashed upon Operation Barbarossa in June 1941 ― started in the Baltic States of Lithuania and Latvia.

Through the works of Michaël Prazan (Einsatzgruppen as a book and TV documentary in French), Efraim Zuroff’s untiring crusade against the states in Eastern Europe that still cover up their complicity in the murder of millions of Jews during World War II (see his renowned book Operation Last Chance and the site of the same name at the Wiesenthal Center in Jerusalem), through the vigorous and constant series of articles on in the web journal Defending History (see also the documentary Rewriting History by Danny Ben Moshe), we, the attentive and honest readers know what the reality of the Holocaust had been in the Baltic States when Jews were hunted as animals, slaughtered as animals by the German forces, and in many cases before they even arrived, also by the local populations “activists.”. We are cognoscenti but it is reassuring to see that the BBC broadcasts an image of far-reaching collaboration by the local populations in the Baltic States with the focus primarily on Lithuania.

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Video Released of Marius Ivaškevičius’s Interview with Dovid Katz



VILNIUS—Famed Lithuanian playwright Marius Ivaškevičius interviewed Dovid Katz as his Vilnius apartment on 20 March 2017 as part of the filming for Tzvi Kritzer’s documtentary “The Last Sunday in August” about the slaughter of the Jews of Malát (today: Molėtai) Lithuania. The much more general interview offers sweeping discourse on the Lithuanian Holocaust and its legacies, and sundry difficult related issues. There was a cameo appearance  by  the film’s producer Tzvi Kritzer. The footage released  is unedited but not complete. Unfortunately, the beginning, with Marius’s detailed opening statement and set of questions, is missing from this footage. The documentary, released in 2018, is on youtube.

Posted in Arts, Bold Citizens Speak Out, Christian-Jewish Issues, Collaborators Glorified, Debates on the Postwar "Forest Brothers", Double Genocide, Dovid Katz, Film, History, Lithuania, Litvak Affairs, Malát (Molėtai), News & Views, Opinion, Politics of Memory | Tagged , , , , , , | Comments Off on Video Released of Marius Ivaškevičius’s Interview with Dovid Katz

Roland Binet’s New Musical Composition to Mark 80th Anniversary of Onset of the Baltic Holocaust



OPINION  |  LATVIA  |  BELGIUM  |  COLLABORATORS GLORIFIED  |  HISTORY  |  POLITICS OF MEMORY  |  LEGACY OF JUNE 23rd 1941

by Roland Binet (De Panne, Belgium)

Just close your eyes and imagine. It  is a warm June summer day, you have suffered more than a year of tyranny under the Soviet regime and now the Germans have invaded your country of birth. You are being led with some sixty other fellow Jews into a large garage courtyard. Around, a row of spectators, Lithuanians, even children, and German soldiers of all uniform colors. And, in front of you, thugs armed with batons, cudgels, bludgeons, and metal bars. Then, you can see it clearly: by small groups of around 10 men, your fellow Jews are led to the center and bludgeoned to death, slowly or savagely. They are the luckier ones. Others have high-pressure hoses inserted into their bodies to cause them to explode, to the delight of the adoring audience. This happened in the Lietukis garage in Kaunas on June 27, 1941. And 100% of those who carried out the actual violence, with unfettered enthusiasm, were local Lithuanian nationalists (now glorified in some museums and history books as “anti-Soviet freedom figfhters”).

NEW MUSICAL COMPOSITION ON 80TH ANNIVERSARY OF SUMMER 1941 IS ON YOU TUBE

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Belgian Composer Releases New Video on Eve of March 16th



ROLAND BINET  |  ARTS  |  MUSIC  |  LATVIA  |  RIGA’s WAFFEN SS  MARCHES  | REGIONAL FAR-RIGHT MARCHES  | COLLABORATORS GLORIFIED

Roland Binet, a Belgian composer working out of  De Panne, has just released on Youtube a new video comprising his musical composition to a series of photographs by his wife Francine Binet taken during their joint visit to Riga in 2012, the Latvian capital, to monitor that year’s far-right March 16th parade. The annual marches  glorify the Waffen SS, which fought for the Nazis and whose members all swore the oath of loyalty to Adolf Hitler. Mr. Binet is a veteran contributor to Defending History. His most recent and for many, quite startling piece, divulges the hard-to-believe erection of a monument to the Latvian Waffen SS in a town in Belgium.

 

Posted in Arts, Collaborators Glorified, Latvia, Litvak Affairs, Music, News & Views, Riga's Waffen SS Marches, Roland Binet | Comments Off on Belgian Composer Releases New Video on Eve of March 16th

Vulovak’s Latest Caricature in His Series on ‘The Convention Center in the Old Vilna Jewish Cemetery’



OLD VILNA JEWISH CEMETERY  |  CEMETERIES  |  HUMAN RIGHTS  |  ARTS  |  HUMOR (OF SORTS)

אויך מיר אַ קאָנווענשאָן צענטער!

Oykh mir a konvenshon tsenter!

Don’t Lithuania’s citizens deserve a sparkling new convention center where they will be welcomed by leaders of the arts, entertainment, industry and statecraft, not by the ghosts of the thousands of Vilna Jewish citizens who lie buried on all four sides, in the city’s Old Jewish Cemetery, where their families purchased their burial plots in perpetuity? 

by VULOVAK for Defending History

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Posted in Arts, Cemeteries and Mass Graves, Human Rights, Humor (Of Sorts), Lithuania, Litvak Affairs, News & Views, Old Vilna Jewish Cemetery at Piramónt (in Šnipiškės / Shnípishok), Politics of Memory | Tagged | Comments Off on Vulovak’s Latest Caricature in His Series on ‘The Convention Center in the Old Vilna Jewish Cemetery’

Richard Bloom’s Documentary, ‘Defending Holocaust History’, Now Online



FILMS AND VIDEO  |  ARTS  |  HISTORY  |  DOUBLE GENOCIDE

PALM BEACH GARDENS, FLORIDA—Richard Bloom, director of Richard Bloom Productions, has just announced the release of the updated version of Defending Holocaust History, a documentary film originally released in 2013. The film focuses in on the campaign by elements of the Lithuanian government and the country’s nationalist elite to rewrite the history of the Holocaust, by attempting to delegitimize the Holocaust as a unique historical event through various actions designed to diminish the Holocaust and “upgrade local Soviet crimes” to the status of genocide, along the way harassing Holocaust survivors who joined the resistance while glorifying local Holocaust perpetrators who were also “anti-Soviet” (the entire complex has become known as “Double Genocide”). As readers of DH will know, these continue to be burning and current issues, every bit as timely as in the year of the original film’s production.

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Is Yiddish ‘Lingua non grata’ at National Library’s Exhibition on Prewar Lithuanian Jewish Life?



OPINION  |  MUSEUMS & EXHIBITIONS  |  THE ARTS  |  LITVAK AFFAIRS  |  YIDDISH AFFAIRS

by Dovid Katz

Lead banner for National Library’s exhibition on prewar Lithuanian Jewish culture

For many centuries, the Jews of Vilna (Yiddish Vílne, formal Ashkenazic Hebrew Vílno, modern Hebrew Vílna), and indeed, those from a huge radius of towns and villages in all four directions that looked to the then “Jerusalem of Lithuania” as their spiritual capital, the streets of the oldest Jewish settlement in the town were lovingly known as Di yidishe gas. The narrow dictionary definition is indeed “the Jewish street” but in the Yiddish of Vilna, as in other cities with highly developed Yiddish culture, the phrase came to signify the entire neighborhood in the sense that could perhaps best be captured by something like “our Jewish part of town.” When in 1920, the then Polish authorities offered the Jewish community the opportunity to name a few streets in town, Yídishe gas (Polish Żydowska) became one of them, for the neighborhood’s primary street. When the democratic Lithuanian independence movement of the late 1980s reached the stage of ridding the city of hated Soviet-imposed names, the old name was rapidly and boldly, restored, in its translative Lithuanian form, Žydų gatvė.

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Posted in Arts, Commemorations for Destroyed Communities, Dovid Katz, Events, Lithuania, Litvak Affairs, Museums, News & Views, Opinion | Comments Off on Is Yiddish ‘Lingua non grata’ at National Library’s Exhibition on Prewar Lithuanian Jewish Life?

Brussels (& Some Fine London Architects) Duped into “Double Genocide” Program of “Equalizing” Nazi and Soviet Crimes?



OPINION  |  PRAGUE PLATFORM  |  DOUBLE GENOCIDE  |  POLITICS OF MEMORY  |  BRUSSELS/EU

Today’s edition of The Architects’ Journal (AJ) gracefully announces that Tszwai So, director of Spheron Architects, has been declared the winner of the “international competition to design a pan-European Memorial for the Victims of Totalitarianism.” Mr. So, named a rising star in British Architecture in 2016, is widely acclaimed as one of the most illustrious younger talents of European architecture in our time. Our team feels certain that he would be the first to wish to be apprised of an ulterior political program behind a seemingly neutral architectural project which will now be exploiting his reputation, and his firm’s, as well as his actual design, in promoting a political project that is vastly more controversial than meets the eye at first acquaintance.

Mr. So and Spheron Architects, like the other contestants, were most likely unaware that the sponsor of the competition, the  Prague-based Platform of European Memory and Conscience, known for short in Eurocircles as the Prague Platform, is the prime European engine for the far-right movement of World War II history revisionism that is increasingly becoming known as Double Genocide. That phenomenon was recently among the main points of a New York Times article by Pulitzer Prize winning correspondent Rod Nordland concerning the “Genocide Museum” here in Vilnius, which has close ties with the “Prague Platform” in the pursuit of  Double Genocide politics in the European Union.

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Virtual Yiddish Mini-Museum of Jewish Life in Interwar Lithuania


 

APOLOGIES. THIS PAGE HAS MOVED HERE

https://defendinghistory.com/mini-museum-of-jewish-life-in-interwar-lithuania

 

Posted in Arts, Lithuania, Litvak Affairs, Mini-Museum of Jewish Life in Interwar Lithuania, Museums, News & Views, Yiddish Affairs | Tagged , , , , , , , , , | Comments Off on Virtual Yiddish Mini-Museum of Jewish Life in Interwar Lithuania

Linas Vildžiūnas’s Review of Rūta Vanagaitė’s ‘Mūsiškiai’ Now Available in English Translation



BOOKS  |  POLITICS OF MEMORY

by Linas Vildžiūnas

The following English translation, by Laurynas Vaičiūnas, of Linas Vildžiūnas’s review of Rūta Vanagaitė’s Mūsiškiai appeared today in New Eastern Europe (as PDF). 

A book review of Mūsiškiai (Ours). By: Rūta Vanagaitė. Publisher: Alma littera, Vilnius, 2016.

What makes Rūta Vanagaitė’s Ours (Mūsiškiai) very different from all other Lithuanian books on the Holocaust is that it was from the start written as a bestseller. Written by an experienced public relations professional as an appeal to the Lithuanian public, the book raises the painful issue of historical responsibility. The author does not refrain from giving a personal twist to the story (it would be impossible otherwise, as the Holocaust is an issue of individual position and individual responsibility). The author is piercingly direct and uses black comedy. She approaches the topic with composure and a sense of supremacy. These two features may irritate the reader. However, she is entitled to it as she aims to confront the reader, which she so eloquently achieves.

READ MOREAS PDF.

 

Posted in Arts, Bold Citizens Speak Out, Books, History, Lithuania, Litvak Affairs, Media Watch, News & Views, Opinion, Politics of Memory, Rūta Vanagaitė | Tagged , , , , | Comments Off on Linas Vildžiūnas’s Review of Rūta Vanagaitė’s ‘Mūsiškiai’ Now Available in English Translation

A Major New Shtetl Museum for Shádev (Shádov, Shádeve, Today’s — Šeduva)



OPINION  |  LITVAK AFFAIRS  |  MUSEUMS

by Dovid Katz (Vilnius)

VILNIUS—The Litvak world, internationally fragmented and weak, yet so vibrant and creative, has been cheered by news reports of the new shtetl museum to rise in the near future in Shádev, a Lithuanian town of many centuries of Jewish heritage where a great rabbinic personality, Reb Móyshe Ha-Góyle (“Moses the Exile”, Méyshe Ha-Géyle in deep Litvish pronunciation, Moshé Ha-Golé in Israeli Hebrew) thrived in the fifteenth century.

A good shtetl museum here will be a blessing to the Litvak, European Jewish, Yiddish and shtetl heritage internationally. It will be a blessing to modern, democratic Lithuania. To this day, the basket of idols of the contemporary Jewish market downplays the magnitude of Yiddish language, literature, and culture, shtetl culture and heritage, and the magnificent East European Jewish legacy more generally. News media have gone with reports by AFP and by JTA, and there is more on the project’s website.

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Posted in Arts, Commemorations for Destroyed Communities, Dovid Katz, Lithuania, Lithuania's Jewish Community Issues, Litvak Affairs, Museums, News & Views, Opinion, Politics of Memory, Šeduva (Sheduva, Shádeve, Shádov) and its Free-of-Jewish-Staff "Museum of the Lost Shtetl" | Tagged , , , , , , , , , , , | Comments Off on A Major New Shtetl Museum for Shádev (Shádov, Shádeve, Today’s — Šeduva)