OPINION | PRAGUE PLATFORM | DOUBLE GENOCIDE | POLITICS OF MEMORY | BRUSSELS/EU
Today’s edition of The Architects’ Journal (AJ) gracefully announces that Tszwai So, director of Spheron Architects, has been declared the winner of the “international competition to design a pan-European Memorial for the Victims of Totalitarianism.” Mr. So, named a rising star in British Architecture in 2016, is widely acclaimed as one of the most illustrious younger talents of European architecture in our time. Our team feels certain that he would be the first to wish to be apprised of an ulterior political program behind a seemingly neutral architectural project which will now be exploiting his reputation, and his firm’s, as well as his actual design, in promoting a political project that is vastly more controversial than meets the eye at first acquaintance.
Mr. So and Spheron Architects, like the other contestants, were most likely unaware that the sponsor of the competition, the Prague-based Platform of European Memory and Conscience, known for short in Eurocircles as the Prague Platform, is the prime European engine for the far-right movement of World War II history revisionism that is increasingly becoming known as Double Genocide. That phenomenon was recently among the main points of a New York Times article by Pulitzer Prize winning correspondent Rod Nordland concerning the “Genocide Museum” here in Vilnius, which has close ties with the “Prague Platform” in the pursuit of Double Genocide politics in the European Union.