O P I N I O N / M U S I C
by Ronald C. Kent
◊
In January 2012 I became aware of a then-upcoming performance of Carl Orff’s “Carmina Burana” by the Milwaukee Symphony Orchestra. Since I knew that Carl Orff was a Nazi-approved composer, who created this work in 1936, I wrote a letter to Maestro Andreas Delfs and Music Director Edo de Waart, requesting that they place the biography of Orff during the Nazi period in the program, in the interest of enlightenment, transparency, and full disclosure, thereby situating “Carmina Burana” in its historical context for listeners.
Organized by the Jewish Community of Kaunas, and addressed by its leader, Gercas (Hershl) Žakas, this year’s event drew just over a hundred people, filling less than half the paved plaza near the memorial dais. Survivors present expressed concern for the future status of Ninth Fort remembrance here, and Holocaust commemoration more generally. The concern echoes various factors, including the gradual disappearance of survivors and witnesses, the shrinking of the vestigial Jewish community, and the shifting political trends.
