Music

In Defense of Transparency at the Milwaukee Symphony Orchestra



O P I N I O N   /    M U S I C

by Ronald C. Kent

In January 2012 I became aware of a then-upcoming performance of Carl Orff’s “Carmina Burana” by the Milwaukee Symphony Orchestra. Since I knew that Carl Orff was a Nazi-approved composer, who created this work in 1936, I wrote a letter to Maestro Andreas Delfs and Music Director Edo de Waart, requesting that they place the biography of Orff during the Nazi period in the program, in the interest of enlightenment, transparency, and full disclosure, thereby situating “Carmina Burana” in its historical context for listeners.

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The Holocaust: A Photographic and Musical Tribute



O P I N I O N   /   M U S I C

by Roland Binet  (Braine-l’Alleud, Belgium)

 

MUSICAL AND PHOTOGRAPHIC COMPOSITION HERE

 

I know persons within my circle of acquaintances who refuse to look at the terrible pictures that this video exhibits. Photographs of Jewish victims of beatings, slayings.  Pictures of dead Jewish victims.  Pictures of local collaborators in the process of helping the Nazis in killing Jews.

These persons find those historical pictures too offensive, too terrible, too awful, for their taste.  They are not able too look at them, they are far too sensitive to put up with such awful scenes.

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Massacres of the Jews in Liepāja (Šķēde) in Fall 1941



M U S I C

by Roland Binet  (Braine-l’Alleud, Belgium)

The Nazis tried to hide their crimes against humankind during World War II. They had tried to hide the fact that in the former territories of the USSR they were killing Jews on a colossal scale starting in July 1941. And not only Jews, also anyone suspected of being a communist.

Although many soldiers in the Wehrmacht or the Waffen SS took pictures of Aktionen against the Jews, even kept pictures of massacres or dead Jewish bodies in their wallets, most of these photographic proofs of the Nazi crimes against humanity were destroyed, stolen from their corpses after their deaths, kept at home in Germany by descendants of these heinous and barbarous extermination soldiers, or, sometimes, recuperated by allied nations which kept them and not solely kept them, but displayed them as a testimony to these barbaric events.

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Rumbula and Ponár



M U S I C

by Roland Binet  (Braine-l’Alleud, Belgium)

This composition, Rumbula and Ponár, memorializes the victims of the two most infamous mass murder sites of Latvia and Lithuania, Rumbula outside Riga, and Ponár (Polish Ponary, Lithuanian Paneriai) outside Vilnius. More than 130,000 people were killed in total at these two sites. The majority were Jews but there were many others of diverse ethnic and social background at Ponár.

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A Jewish Tragedy (Flute and Composition)


 


M U S I C

by Roland Binet (Braine-l’Alleud, Belgium)

 

Starting in 2009, after my first visit in Riga, I became interested in the fate of the Jews in the Baltic States during the war. I returned several times to Latvia and also visited Estonia and Lithuania. In 2013 while in Riga, I went to see the Rumbula Memorial to see for myself what that well-known and fateful place looked like. That year in Vilnius, I visited the Ponár (Paneriai) memorial site, another of those well-known fateful places.

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The Jewish Tragedy in the Baltic States



M U S I C

by Roland Binet (Braine-l’Alleud, Belgium)

 

THE AUTHOR’S MUSICAL COMPOSITIONS:

I   War

II   Ghetto

III   The Killing Pits

IV   Liberation

V   Remembrance

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A Musical Tribute to the Rumbula Victims



M U S I C   /   O P I N I O N

by Roland Binet (Braine-l’Alleud, Belgium)

 

SOUND TRACKS OF THE AUTHOR’S COMPOSITIONS:

Rumbula

Threnody

 

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