Today’s edition of The Architects’ Journal (AJ) gracefully announces that Tszwai So, director of Spheron Architects, has been declared the winner of the “international competition to design a pan-European Memorial for the Victims of Totalitarianism.” Mr. So, named a rising star in British Architecture in 2016, is widely acclaimed as one of the most illustrious younger talents of European architecture in our time. Our team feels certain that he would be the first to wish to be apprised of an ulterior political program behind a seemingly neutral architectural project which will now be exploiting his reputation, and his firm’s, as well as his actual design, in promoting a political project that is vastly more controversial than meets the eye at first acquaintance.
Mr. So and Spheron Architects, like the other contestants, were most likely unaware that the sponsor of the competition, the Prague-based Platform of European Memory and Conscience, known for short in Eurocircles as the Prague Platform, is the prime European engine for the far-right movement of World War II history revisionism that is increasingly becoming known as Double Genocide. That phenomenon was recently among the main points of a New York Times article by Pulitzer Prize winning correspondent Rod Nordland concerning the “Genocide Museum” here in Vilnius, which has close ties with the “Prague Platform” in the pursuit of Double Genocide politics in the European Union.
Posted in Arts, Belgium, Double Genocide, EU, Human Rights, News & Views, Opinion, Politics of Memory, Prague "Platform"
Tagged Double Genocide, Prague Declaration, Prague Platform for European Conscience, Spheron Architects, Tszwai So
by Roland Binet (Braine-l’Alleud/Belgium)
Next month, the European Union and NATO will again be faced with the annual city-center march in Riga, the Latvian capital, glorifying the country’s Hitlerist Waffen SS. I had of course for years heard about the infamous March 16th marches in Riga when old members of the Latvian Waffen SS, their sympathizers and those who feel nostalgic about the good old time under Nazi rule proudly parade through the central streets of the beautiful capital of Latvia, ending their solemn march in front of the Freedom Monument, where they – solemnly and hierarchically – lay bundles of flowers at the foot of the monument and sing the national anthem.
Posted in Antisemitism & Bias, Belgium, Celebrations of Fascism, Collaborators Glorified, History, Latvia, Litvak Affairs, Neo-Nazi & Fascist Marches, News & Views, Opinion, Politics of Memory, Riga's Waffen SS Marches, Roland Binet
Tagged Holocaust in Latvia, Latvian WWII Legionnaires, Riga, Roland Binet, Waffen SS (Latvia), World War II
by Roland Binet (Braine-l’Alleud, Belgium)
Isee two new important social and political trends now that have a direct bearing, first on the memory of what happened in Europe and the USSR during the Holocaust and other massacres and, secondly, on the life of the Jews presently living in Europe.
O P I N I O N
Editor’s note: Our colleague Prof. Pinchos Fridberg drew our attention to a page on Radio Svoboda’s website, by Elena Fanailova, featuring both the audio and transcript of a recent interview conducted by Donata Subbotko for the Polish weekly Gazeta Wyborcza with the famed Lithuanian humanist, poet, essayist and professor Tomas Venclova. Text of the Polish version appears in Gazeta Wyborcza. The Russian text also appeared, at Prof. Fridberg’s initiative, in Obzor.
The following brief excerpt, concerning Banderism in Ukraine and analogous tendencies in Lithuania and elsewhere, has been translated into English (from the Russian) by Ludmila Makedonskaya. See also Defending History’s section dedicated to Tomas Venclova. Our page on bold Lithuanian truth tellers includes some of Prof. Venclova’s writings from the 1970s onward. His famous essay from the period, Jews and Lithuanians, is available in his collection of essays Forms of Hope.
Posted in Bandera, Belgium, Latvia, Lithuania, News & Views, Opinion, Politics of Memory, Tomas Venclova, Ukraine
Tagged Banderism, Donata Subbotko, glorification of Holocaust collaborators, Stepan Bandera, Tomas Venclova, Ukraine + Bandera, Ukraine + far right, World War II revisionism